Don't open the windows. Make sure the
doors are locked. Never go to the old church. Every precaution and
rule is set in place to keep them safe. What they don't know is why,
or what happens when it's too late.
Cora and her younger sister Mimi have
been sent to stay with their Aunt Ida, an unfavorable set up on both
ends. Alone in the small village of Byers Guerdon, Aunt Ida is known
by everyone, including a young boy named Roger who bumps into Cora
and Mimi as they venture to their new home – Guerdon Hall. Upon
their arrival, Aunt Ida is disapproving the moment she sets eyes on
them. She wants them gone. Immediately.
Unable to see anything out of the
ordinary, except for a creepy portrait hanging above the bathroom
entrance, Cora and Mimi find Guerdon Hall rather bland. Until, one
night, when the air becomes thick and the atmosphere tenses. Soon
they discover that something is deeply wrong. Cora, Mimi, and the
boys they befriend unravel a past that is slowly creeping up on one of
their own. Is Aunt Ida as cruel as she is made out to be? Or is she
protecting them from a dark being more powerful than they could ever imagine? Together, they must conquer an evil that has prevailed for
centuries.
Long Lankin is the debut novel of
Lindsey Barraclough and a strong one at that. I was pumped when I
came across this book online. When I finally found Long Lankin at my
local bookstore, I swear, there were tears of joy. It was to be my
first real horror novel. However, it was not overwhelmingly good.
Barraclough's writing throughout the
book was powerful but I could have done without the strenuous
details. Certain components describing the separate towns and roads were
tedious and should have been left out. That isn't to say there
weren't details that worked well within the novel; my favorite being
the description of the old church. I favor religious aspects as long
as they aren't overbearing, rather serving as a minor setting or
character quality.
I had read reviews previous to reading
Long Lankin and unfortunately, those reviews were correct. The
pacing is incredibly slow. It wasn't an enjoyable slow where I
savored every moment, nor was it miserable. Along with the general
slowness of the novel, I found that it slowed down during certain
character perspectives. When Cora narrated, I followed in a daze. As
the narration alternated to Roger, the pace decreased noticeably.
Fortunately, Roger had a compelling
presence when he wasn't narrating. Other than Cora, I would choose
Aunt Ida as a favorite. Yeah, she was kind of horrible, but it came
from a place of genuine concern. Plus, her narration here and there
spoke to me much more than that of Roger. Leading off of that, his
mother was a fantastic secondary character, probably one of the
better ones I've read.
Finally, we have Long Lankin himself.
What intrigues and motivates people to pick up this book is the quote
from the ballad used to anchor the entire story-line. The slow growing
anticipation is unbearable. Creaking floorboards, ghostly
apparitions, and old clues suggesting a deadly beast lurking about
the real world and the after life. Those sound like fair reasons to
get hyped about a book, when truly, they were mere tropes. Even with
her own twists and turns, Barraclough can only cover up the
tropes so well. I was disappointed with each encounter
involving Lankin. He was creepy, not scary.
In the end, I had a difficult time
deciding how to rate this book. There was nothing outstanding in
terms of the stylistic choices but the writing was a wonderful
representation of Lindsey Barraclough as a breakthrough author. I
have no doubt that her future novels will be just as impressive. I
understand that a lot of other book lovers enjoyed reading this, so I
recommend it, but whatever you do, beware of Long Lankin that lives
in the hay.
3.75 out of 5 stars
3.75 out of 5 stars
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